- Bibliografia
Stefania Lodi Rizzini
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- IL
VOLTO FEMMINILE DELL'ARTE CONTEMPORANEA
BRITANNICA:
- JENNY
SAVILLE, TRACEY EMIN,
- MONA
HATOUM, GILLIAN WEARING
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- BLAZWICK, I., FREEDMAN, C.,
DZIEWIOR, Y., BIRNBAUM, D., MESCHEDE, F. (2000),
Occupational Hazard Critical Writing on Recent
British Art, London, Black Dog
Publihing.
- BETTERTON, R. (1996),
Intimate Distance Women, Artists and the
Body, London-New York, Routledge.
- BROWN, N., KENT, S.,
COLLINGS, M. (1999), Tracey Emin, London, Jay
Jopling.
- BUTLER, J. (1990), Gender
Trouble, London-New York, Routledge.
- CATALOGO MOSTRA 'Ant
Noises II' (2000), London, Saatchi
Gallery.
- CORRIN, L. G. (2000),
Gillian Wearing, London, Serpentine
Gallery.
- DEPWELL, K. (ed.) (1995),
New Feminist Art Criticism, Manchester-New
York, Manchester University Press.
- FRANKO, B. (1998), ICA,
Virus Mutations nr 2, www.undo.net/cgi-bin/openframe.
- O'FARRELL, M. A., VALLONE, L.
(1999), Virtual Gender: Fantasies of Subjectivity
and Embodiment, Ann Harbor Michigan University
Press.
- PARKER, R., POLLOCK, G.
(1987), Framing Feminism: Art and the Women's
Movement, London, Pandora Press.
- PERRELLA, C., SOSSAI, M. R.,
1999, Sweetie. Identità femminile nel video
britannico, Roma, Castelvecchi.
- SAVILLE, J. (1999),
Territories, New York, Gagosian
Gallery.
- STALLABRASS, J. (1999), High
Art Lite, London-New York, Verso.
- VAN ASSCHE, Ch., TAZI, N.,
PHILIPPI, D., LAGEIRA, J. (1994), Mona Hatoum,
Paris, Centre George Pompidou.
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