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- Lidia De
Michelis
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- "LIVES", "MEMOIRS" AND
"TRUE ACCOUNTS": BIOGRAPHY AS PROPAGANDA IN SOME EARLY
EIGHTEENTH-CENTURY PAMPHLETS1
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- 1 An abridged version of this
paper was presented at the Xth International Conference on the
Enlightenment (Dublin, July 25-31, 1999).
- 2 On seventeenth-century
biography, see: Hunter (1990), Mayer (1997), Nadel (1984), Parry
(1995) and Wendorf (1990).
- 3 It is perhaps worth noticing
that in the years 1669-1670 Sir John Narborough had gone on his
famous voyage round the world marking the outset of a new season
of British expansionism.
- 4 See: Kroll (1991), Levine
(1991), Marsden (1995), Seary (1990).
- 5 See: Brewer (1995), Brewer
(1997), Colley (1992), Damrosch (1992), Gerrard (1994), Paulson
(1989), Weinbrot (1993) and Womersley (1997).
- 6 On the making of Raleigh's
poetical corpus, see also Bajetta (1998), to whom I am
obliged for helpful, stimulating advice on some controversial
topics.
- 7 Indeed, Theobald often
plagiarizes whole passages of Shirley's text, while several
sentences incorporate words and logical connections from the
earlier biography with only slight syntactical changes. Quite
interestingly, Theobald leaves out all the sections in which
Shirley voices his concern for British commercial and territorial
expansion.
- 8 After promising the reader
"a prospect instructive, entertaining and full of variety", thus
echoing Theobald's incipit in the Memoirs, Oldys
reports it verbatim, prefixing the following sentence:
"nevertheless his [Raleigh's] single life may perhaps be
found more fruitful of memorable incidents, than many histories of
entire ages: in so much as I may be apprehensive, with a late
collector of his memoirs, 'that the describing a person of so
diffusive a praise (...) objects'" (Oldys, 1829: I, 4). The full
text of the quotation is reported here on page 11.
- 9 "There is an old dramatic
performance, (lately imparted to me by Mr Theobald,) entitled, The
History of Promos and Cassandra, written by George Whetstone,
gent. who, in his dedication thereof to W. Fleetewood, esq.
recorder of London, expresses himself 'resolved to accompany that
excellent captain, sir Humphrey Gilbert, in his honourable
voyage': and concludes 'with prayers that God would preserve him
in it, 29 July 1578" (Oldys, 1829: I, 29).
- 10 Referring to Raleigh's
first trial, Oldys says: "It is too common, and too tedious, to be
thought needful of transcribing here at length; not to say so full
of barbarous partiality and foul language, especially by Coke
himself, that he was exposed for it upon the public theatre". A
footnote follows: "f) See Mr. Theobald's Shakespeare, 8vo, 1733.
Vol. 2 in the comedy called, The Twelfth-Night; act 3. p. 503"
(ibid.). Peter Seary (1990: 179) quotes a letter addressed
by Theobald to Warburton a few months after publication of The
Dunciad Variorum, also referring to Twelfth Night (III.
ii. 44-6: "Taunt him with the licence of ink; if thou
thou'st him some Thrice, it shall not be amiss"). "The
words quoted", Theobald writes, "seem to me directly levelled at
the Attorney General Coke, who, in the trial of Sir Walter,
attacked him with all the following indecent expressions: 'All
that Hell was by your instigation, thou Viper: for I
thou thee, thou Traytor.' (Here, by the bye, are the
poet's three thou's)" (Nichols, 1817: II, 271). Seary
(180-85) also analyses a few more references to Sir Walter Raleigh
in Theobald's Works of Shakespeare, most notably the one
concerning The Merry Wives of Windsor (I. iii. 69 "she is a
region in Guiana") and Othello (I. iii. 144-45 "men
whose heads/ do grow beneath their shoulders""). "The mention of
Guiana, then so lately discover'd to the English",
Theobald says referring to the first, "was a very happy compliment
to Sir W. Raleigh, who did not begin his expedition to
South America till 1595, and return'd from it in 1596, with
an advantageous Account of the great Wealth of Guiana. Such
an address of the Poet was likely, I imagine, to have a proper
Impression on the People, when the Intelligence of such a golden
Country was fresh in their Minds, and gave them Expectations of
immense Gain" (Theobald, 1733: I, 235). As to Othello,
beside quoting Raleigh's Discoverie of Guiana, Theobald
adds that "if we consider the Reputation (...) any thing from such
a Person, and at that time in such Posts, must come into
the World with, we shall be of Opinion that a Passage in
Shakespeare need not be degraded for the Mention of
a Story, which, however strange, was countenanc'd with such an
Authority. Shakespeare, on the other hand, has shewn a fine
Address to Sir Walter, in sacrificing so much Credulity to
such a Relation" (Theobald, 1733: VII,
392-93).
- 11 This is the beginning of an
original one-page digression, including textual evidence from the
Premonition to Princes and from the History of the
World, in which Theobald momentarily abandons Shirley's
track.
- 12 "We must therefore
despair", Shirley continues, "of a just and exact Account of him,
unless we could by some Magick power (as the Author of a Pamphlet
has done, to terrify and make Gondamore speak the truth)
raise him from the dead, and converse a while with his Ghost. I
shall however with what imperfect Clue our Histories have
bequeath'd, trace him through the various Labyrinths of Fortune,
and take a Prospect of him in the several Scenes of Court and
Camp, Peace and War, till I have followed him to the Scaffold, the
Place of his much lamented and unhappy End; keeping as near as I
can a medium between those who in their Annals drive on
with an implicit Faith; and those who, to get the reputation of
Observers and Men of Reach, steal into the Recesses of Princes,
and disrobe Majesty it self to find some Deformities, which love
to their Prince, and interest of State should cover; the best veil
for all deformed Actions" (Shirley, 1677: 7).
- 13 The whole passage reads
thus: "Many guides may appear indeed to lead us through this
wilderness; but, numerous as the authors are who mention him, they
contain but fragments of his story; divers whereof, hitherto
widely dispersed, have escaped, not only our general historians,
but the many compilers of distinct pieces on his actions. Even the
moderns, who have treated of him with impartiality, have yet been
deficient in point of industry, so as to prove no less injurious
to his merits, than some who in his own age conspired to
depreciate them. Hence the generality having been so superficial
and indigested; having neither regarded due choice and order of
matter, proportion in the parts, or connection of the whole; nor
yet discharged themselves by such references to proper vouchers,
as might satisfy those readers it is my ambition to please; I have
esteemed the number of such writers no discouragement to the
revival of his story" (Oldys, 1829: I, 4-5).
- 14 "Is this the Man of whom a
few Fragments skimm'd from the Froth of common Fame, and from the
imperfect Account given in prejudiced Times, shall pass for
Memoirs? A man whose Actions, for Want of faithful Historians are
already almost turn'd into Romance; his Travels, his Discoveries,
his Voyages, his Conquests, really so far exceed the common Rate
of Men, that Posterity begin to think them fabulous, and that it
was really impossible any such Man could have been in the World,
or that he was some Giant that did Wonders (...)" (Defoe, 1719:
5-6).
- 15 "But that which of late
years did much revive the public regard to this history, was the
ingenious Dr. George Sewell's Tragedy of Sir Walter Ralegh,
published 8vo 1719, and the much admired character he has therein
given of it" (Oldys, 1829: I, 451-52). Oldys refers to Sewell in
two more passages. The first reference is on pp. 168-69, where the
text runs: "But these prejudiced representations will probably be
thought of so little authority, that the reasons and matter of
fact which have been produced in a poetical performance, may be
sufficient to make those stains even befriend his reputation, and
brighten it in clearing them away". A footnote (ibid.) follows:
"The late Dr. George Sewell, in his tragedy of Sir Walter Ralegh,
8vo. 1719, act I. scene I. makes the following reflection on the
attorney general's starting from the question in debate at
Raleigh's trial, to upbraid him with this imputation of atheism."
(lines quoted). The second one, in a footnote on p. 566, preceeds
a quotation from the Prologue: "Among the later poems which have
been written upon him, (...) I shall here recite only the
conclusion of major Richardson Pack's Prologue to Dr. Sewell's
Tragedy of Sir Walter Ralegh, as containing a most notable
admonition to succeeding times (...)".
- urt Salisbury's daughter,
Olympia, who is in love with him, in order to get her to plead for
Sir Walter's life. Carew's self-esteem is safe when he falls for
the matchless Olympia and is no longer obliged to feign.
Unfortunately, on failing to get a pardon for Sir Walter, Olympia
commits suicide in front of her lover.
- 17 Connections between
classical virtue and English heroism can be found in several
passages of the play, starting right from the opening lines of the
"Prologue": "Struck with each Ancient Greek or Roman
Name, / Blindly We Pay Devotion to their Fame. /
Their Boasted Chiefs in Partial Lights are shown: /
Neglect, or Envy, still Attends our Own. (...)
An English Martyr shall Ascend the Stage, / To Shame
the Last, and Warn the Present Age"
("Prologue", 1). At the end of Act II, i, Raleigh thus relates the
battle of Agincourt to the battle of Marathon: "Better to converse
whole Ages with the Dead,/ Pore on a broken Marble, to retrieve/ A
single Letter of a brave Man's name,/ Who dy'd at Marathon,
or Agencourt;/ Than spend one Moment with Deceit and Vice"
(19). At the very end of the play, again, answering Howard, who
has just remembered how Raleigh had saved him from the savages of
Guiana, the hero says: "I did; and sav'd an English-Man, a
Friend:/ A juster Glory than a Roman Triumph" (62).
Raleigh's Roman virtue is also emphasized by Theobald, who, at the
very end of his work, resumes Shirley's final words almost
verbatim, without mentioning his source: "His Death was
manag'd with so high and religious a Resolution, as if a
Roman had acted a Christian, or rather a
Christian a Roman" (Theobald, 1719:
39).
- 18 Howard recites the
following lines to Wade in the Tower: "But I will talk, thou idle
Tool of State,/ Have we traced Nature to her utmost Line,/ And
Join'd new Nations to the Queen of Isles,/ To be but thus caged,
and bark'd at by a Dog?" (26).
- 19 Thus Howard tells Raleigh
about Gondamor's offer of a naval command in exchange for treason:
"But canst thou yet suppose/ England's Imperial Flag, the
Naval Sign,/ To which all Nations of the World pay Homage,/ The
proffer'd Price of Treach'ry to my Friend?" (35).
- 20 "Thus far I'm come,/ On
Satan's Ground, and yet no Fiend appears/ To tempt me; sure all
hell's asleep to-night;/ And yet I come at Gundamor's
Request./ What can the subtle Spaniard want with me?/ I am
no Courtier, no fawning Dog of State,/ To lick and kiss the Hand
that buffets me:/ Nor can I smile upon my Guest, and praise/ His
Stomach, when I know he feeds on Poison,/ And Death disguis'd sits
grinning at my Table" (3).
- 21 On the "feminization" of
Gondomar starting as early as the seventeenth century, see Beer
(1997: 119 ff.). We find Gondomar still demonized in Oldys (1829:
I, 514-15), who describes him so: "Therein he further appears with
short, thin, black hair, of a tall meagre stature, with a longish
visage, and a close austere aspect; which made his open and jocose
humour so much more taking, that it is said, he could perfectly
ravish the heart of our Caledonian Soloman, with the little jests,
tales, and fables he would so readily apply upon all occasions"
(514).
- 22 On the question of Defoe's
authorship, see: De Michelis (1995: 101-103).
- 23 "AN/ HISTORICAL ACCOUNT/ OF
THE/ Voyages and Adventures/ OF/ Sir Walter
Raleigh.// With the DISCOVERIES and CONQUESTS He made for the
Crown of England. Also a particular Account of his several
Attempts for the Discovery of the Gold Mines in Guiana, and
the Reason of the Miscarriage, shewing, that it was not from any
Defect in the Scheme he had laid, or in the Reality of the Thing
it self, but in a treacherous Discovery of his Design and of the
Strength he had with him, to the Spaniards./ To which is
added,/ An ACCOUNT how that rich Country might now be with Ease,
Possess'd, Planted and Secur'd to the British Nation, and
what Immense Wealth and Encrease of Commerce might be rais'd from
thence./ Humbly Proposed to the SOUTH-SEA-COMPANY"
(Defoe, 1719: title-page). The text of the Account has been
recently edited in (De Michelis, 1978: 5-36). The introduction to
De Michelis (1993) and the second chapter of De Michelis (1995)
are likewise centred on Defoe's biography of Sir Walter
Raleigh.
- 24 One might be tempted to
compare Sir Walter, who dared "make the Attempt, tho' above 60
years of Age, a Time when rest, rather than hazardous Enterprizes
seemed to be natural to his Years" (Defoe, 1719: 40), to Defoe
himself, venturing at about the same age into the terra incognita
of novel writing (De Michelis, 1995: 91).
- 25 "Defoe wrote many works
which he called 'memoirs', and in his Memoirs of the Life and
Eminent Conduct of Daniel Williams (1718), he distinguished
between this genre and what was called a 'Compleat history'. A
memoir was the study of a man in relation to his time, whereas the
'Compleat history' was what Defoe would have considered biography
or autobiography (...) This distinction applies to Defoe's
fictitious memoirs as well" (656).
- 26 "That he was well
descended, was never yet questioned, but by my Lord of
Oxon, who indeed was wont to call him the Jack, and
Upstart. But these were words which only Envy and Emulation could
extort, and every one very easily confute. Indeed that he was a
Gentleman, because a Favourite, was no ill Argument amongst the
Politicians of those Times, if we may believe a Secretary of State
[Sir Robert Naunton], who has left this as a Maxim then,
That the Queen through her whole Reign never was guilty of
creation, never in her choice took into her Favour a mere New-man,
or a Mechanick" (Shirley, 1667: 8-9). Thus Theobald (1719: 4):
"Those who envied his Promotions, as it is not to be wonder'd,
endeavour'd to rob him of his Gentility: but, to defend Him on
that Quarter, it was a Statesman's Observation on Queen
ELIZABETH, that She, through her whole Reign was never guilty of a
hasty Creation, or took into her Favour a meer new Man, or
a Mechanick". As to Oldys, paying full homage to the
culture of his age, he devotes as many as five pages (6-10) to dig
into multifarious antiquarian evidence of Raleigh's genteel
ancestry, ending by adding to the then commonplace Naunton
aphorism a quotation from The History of the World: "those only
being truly noble, who by worthy acts have rendered themselves
most notable" (Oldys: 10).
- 27 See De Michelis (1995:
78-80).
- 28 On The Memoirs of A
Cavalier as Bildungsroman and on the contribution of this work
to the development of the novel, see: Bignami (1997: 91-108), and
Bignami (1998).
- 29 "If superior in degree to
other men but not to his natural environment, the hero is a
leader. He has authority, passions, and powers of expression far
greater than ours, but what he does is subject both to social
criticism and the order of nature. This is the hero of the high
mimetic mode, of most epic and tragedy (...)" (Frye, 1973
(1957): 33-4).
- 30 See De Michelis (1995:
105-36).
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- 31 "(...) and as I am
directing my Speech to an Encorporated Society of Men powerful
enough for such a Work, nay indeed more powerful, as they stand
supported by the Interest and Favour of the King, than any Nation
in the World then was; I must say it would be the glory of the
Company to embark in such a Discovery" (Defoe; 1719:
42).
- 32 The Account is
referred to explicitly on pp. 50-1, 65, 515, 532, 546-47, but its
influence is easily detectable in most passages relating to
colonization and foreign trade.
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